During the course of a long and rambling conversation late at night in the Green Man Pub which touched on matters from cricket and the best single malts to how to make a proper chocolate souffle, we somehow decided this edition to have reviewers pick the single best recording that they reviewed for us. We think you'll find their choices rather interesting!
Camille Alexa had no problem picking her all-time favourite recording that she reviewed for us -- 'Cote d'Azur with Ella Fitzgerald and Joan Miro. Man! The entire thing is gorgeous, shot in that amazing gritty sepia-tinted black & white around the 1960s French Riviera, a region visibly crackling with the excitement of true cosmopolitanism, at the cutting edge of art and thought and social progressiveness. Ellington's brief intro, in which he describes there being 'nothing unwonderful about a truly well-appointed bikini' and being 'with it with the in-people,' is absolutely drool-worthy. His trio's extemporaneous session in a sculpture garden (with Joan Miro himself tapping toe in the background, lounging against one of his own sculptures on a marble-white pedestal that glows in the bright Riviera sunshine) is nothing short of astounding, and Ms. Fitzgerald's performance at the 1966 jazz festival at Juan-les-Pins, hours after learning of her sister's death, brings tears to my eyes every time.'
Craig Clarke offers -- 'Best recording? How about one that I actually still listen to years later, when many of the rest are long forgotten? That would definitely be Play It Again, Sham!, the collection of rarities and B-sides that the Saw Doctors put out in 2002. What I said back then still applies today: 'I [can't] listen to it and not instantly cheer up. It's a veritable party in a jewel case.'
Cat Eldridge says without doubt it was Beyond the Stacks -- 'Simply put, they're brilliant. The intertwining of the Shetland sound of [Frifot] fiddler Aly Bain meets the varied instruments (mandola, harmonica, jews harp) of Swede Möller in a way which few duos I've ever heard match. The only group that sounds close to this duo is -- not at all to my surprise -- Frifot.'
Tim Hoke says 'When the Editor-in-Chief asked which CD, of all that I've reviewed, was the best, I was daunted to say the least. There are several that I continue to pull off the shelf and listen to again. One recording, though, remains fresh with each listening. Committed, by the now-defunct Stark Raven, is a lively,
Michael Hunter has a lengthy answer -- 'If I was being clever, I'd say that the definition of 'best' changes over time and there's no way I could select one CD now without that choice becoming redundant again very quickly. If I was being obvious, I'd choose one of the many Fairport Convention CDs reviewed over the years and again, that would probably change day by day too. However - for conforming to the various criteria I like in a CD; things like unpredictability, melody, a mix of ancient and modern, light and shade and so much more, I would have to go for the John Barleycorn Reborn set from 2007. Everything that's in the review still remains true, including the sheer listenability of such a large and diverse collection of music, and the clear intent and successful execution of the theme of Dark Brittanica. Sadly, Woven Wheat Whispers no longer exists but Cold Spring Records still distributes the album, and I happily recommend it to anyone even remotely interested in its premise.
The choice of Jack Merry will not surprise anyone who knows him -- 'After finishing a review of the latest Alasdair Fraser endeavour, Fire and Grace, I looked around the Green Man music library to see if we had overlooked any of his other CDs. Indeed we had. Dawn Dance really should have been reviewed sometime ago, given that it says on it 'promotional use only'. How it got overlooked is a story in itself, but we'll let sleeping musicians that shall not be named here by me stay that way. Let's just say that it was such an excellent CD that some of the fiddlers here kept borrowing it from the library for extended periods of time!'
Robert M. Tilendis, after he had calmed down a bit, responded thus -- 'Y'know, this is not easy. Comparing Celto-punk and classical is a lot harder than apples and oranges. So what do I pick? Gamelan? Raga? Celtic or Nordic trad? Nubian drumming? Medieval Iberia or Germany? A great romantic masterpiece? Sheesh! I'm calling it for Morton Feldman's The Viola in My Life. It was a landmark recording when first issued and still has power: subtle, spare, intelligent, lean but intoxicating, it's got everything I love about American music in the late twentieth century. Feldman works by implication, and I demand that an artist leave something for me to do. 'Nuff said?'
Gary Whitehouse says 'As I confessed in my review at the time, I'm not much of a jazz writer. And for jazz, I prefer 1930s and '40s swing. But it was such a humbling moment to be able to scribble my own few notes about the great Miles Davis landmark album Kind of Blue when Columbia Legacy released this CD/DVD DualDisc edition. This
We should remind you about our special editions which are our way of looking at specific writers and other subjects worthy of exploring in-depth. Of course, we've done several editions on master storyteller Peter S. Beagle which you can find thisaway and over 'ere. Needless to say, we're very proud of the great edition on Charles de Lint we did.
We did one on the ever fascinating trio of Brian, Toby, and Wendy Froud; naturally we did one on master storyteller J.R.R. Tolkien who is much loved by our staff; not to mention ones on Catherynne M. Valente, Patricia McKillip, and Elizabeth Bear
Oh, our Editor just reminded me that we did (as if I could 'ave forgotten!) an edition devoted to the now departed and much missed Year's Best Fantasy & Horror anthology.
Lastly, we have put together a Recommended Series Reading List covering many genres from fantasy to mystery and (of course) sf for your redoing pleasure. You can find that list thisaway.
Green Man Review News is an email list for readers of Green Man Review. Each edition, we'll send out a brief précis of our current edition. This is an announcement-only list. To subscribe, send an email to this address, or go here. Green Man Review also posts its updates on Livejournal.
Entire Contents Copyright © 1993-2010, Green Man Review, a publication of East of the Sun and West of the Moon Publishing except where specifically noted. All Rights Reserved.
We have absolutely no commercial or corporate underwriters to meet the expenses of maintaining this site. We do not accept advertisements for our site and have no commercial (profit-making) intentions whatsoever.
All stories, songs, and other intellectual property hosted on the Green Man Review site as linked to here is done so with the explicit permission of the copyright holder. No re-use is allowed without the express written permission of the copyright holder.
A metafictional postscript -- all actual living beings referred to in the Green Man grand narrative have agreed to be there. Really. Truly. Confused? Just sit back and enjoy our stories within stories. And do keep in mind that opinions expressed in the metanarrative do not necessarily reflect the views of Green Man Review or that of Sun and West of the Moon Publishing. They might, they might not.
Any resemblance in Continuity to persons, places, or times of anyone or anywhere living or dead, is purely coincidental unless otherwise noted. Those who know differently are unlikely to admit their involvement.
Book Reviews Editor
Culinary Reviews Editor
Film and DVD Reviews Editor
Performance Reviews Editor
Recorded Music Editor
Proofers and What's New Writers
Kage Baker (1952 to 2010)
J.R.R. Tolkien (1892 to 1973)
Kage Baker reading her
A reading from Peter S. Beagle's The Last Unicorn
Elizabeth Bear reads The Chains that You Refuse
Black 47's 'Liverpool Fantasy'
An excerpt from Paul Brandon's The Wild Reel novel
Emma Bull and Will Shetterly's The War for The Oaks movie trailer
Nicholas Burbridge's 'Open House'
Cats Laughing's 'For It All'
Charles de Lint performing his 'Sam's Song'
Charles de Lint -- Some thoughts on his fiction
Gaelic Storm's 'Kiss Me'
Christopher Golden's 'The Deal'
The opening chapter of The Weaver and The Factory Maid, the first novel in Deborah Grabien's Haunted Ballad series.
An excerpt from Deborah Grabien's Rock & Roll Never Forgets -- A JP Kinkaid Mystery
'The Winter Queen Reel' (played by Roger Landres), composed in honour of Jane Yolen
Chuck Lipsig on 'Star of Munster' variations
McDermott's 2 Hours' 'Fox on the Run'
An excerpt from James Stoddard's 'The High House'
Tinker's Own performing 'The Tinker's Black Kettle', a jig by Charles de Lint from The Little Country
Vagabond Opera's 'Marlehe'
A Vasen tune for your enjoyment
Cathrynne Valente's 'The Surgeon's Wife'
Cathrynne Valente reading a selection titled 'The Tea Maid and The Tailor' from The Orphan's Tales
Robin Williamson's 'Five Denials on Merlin's Grave'
Uploaded 23 January 2010 1o -- 00 pm PST