Glenda Larke, The Last Stormlord (Orbit, 2010)

Ever since she was sold as a child, Terelle has worked as a servant in
a brothel, dreading the day she'll come of age and have to start
earning her keep in a manner she finds distasteful. Dreaming of
escape, she seeks out alternatives, only to discover there's very
little opportunity for one of her low station. Ultimately, she runs
away, finding refuge with an eccentric artist, who teaches her the
secret of painting with water, and influencing the future. But the
longer she stays, the more she learns, the more she questions her
decisions, and her safety.
Shale's village is among the poorest and most remote in the dry,
hardscrabble Gibber Quarter, where water is beyond rare and survival
is never easy. When his magical ability to sense and control water is
discovered, he becomes a pawn in a deadly political game which seems
destined to upset the status quo of the Scarpen once and for all.
In an area of the world where every drop of water is carefully
rationed, where those who control water possess the greatest power of
all, and where entire cities rest on the ability of the Stormlord to
conjure up storms from the ocean and deliver them as needed, it
doesn't take much to upset the delicate balance. And when the
Stormlord grows weak and close to death, the time is perfect for
someone both ambitious and unscrupulous to make his move. And in the
chaos, Shale and Terelle will come together, only to be caught in the
middle of war and suffering. The Scarpen will never be the same
again.
Epic, sprawling, taking place over a number of years, this isn't a
story to be summarized easily. Each individual story spans the better
part of a decade, and to detail even a small portion would spoil more
than I feel reasonable. So take it from me when I say there's a lot
going on here, and it's a densely-plotted, multi-layered book that
doesn't make for easy or casual reading.
The setting itself is quite interesting, though with just about every
page having some reference to water or its scarcity or the magical
manipulation thereof, it gets repetitious after a while. I was
intrigued by the tiered cities with their elaborate systems of gutters
and aqueducts and social systems determining who gets water and who
doesn't, and I was certainly interested in the plight of the Gibbers,
who get their water as leftover gulley washes. I followed the various
characters with interest, and enjoyed seeing how their various threads
finally came together as the story continued.
And yet, for all the pretty language and unusual setting, I found this
book to be something of a slog, an effort to get through. I
ultimately got through the close-to-700 pages out of sheer
bloody-minded determination, wanting to see just what happened at the
end, only to learn that the story's nowhere near finished. While I
certainly have nothing against big epic books, it's possible that this
one might have benefited from some trimming or splitting up. While I
liked The Last Stormlord, and it's a perfectly good epic fantasy as
these things go, it didn't resonate with me as much as I'd hoped.
Even though the various plot threads should be resolved in the sequel,
I'm still up in the air about whether or not I'll be along for the
ride. Good stuff, but not entirely my cup of tea.
[Michael M. Jones]


