Jim C. Hines, Red Hood's Revenge (DAW, 2010)

They are the secret protectors of the kingdom of Lorindar. Snow
White, the sultry mistress of mirror magic. Danielle, wielder of a
powerful glass sword, once known as Cinderella. Talia, whose fairy
gifts make her a powerful warrior, but whose past as the legendary
Sleeping Beauty still haunts her. Princesses all, and the best of
friends, they've been through a lot together. But when Roudette, the
assassin also known as the Lady of the Red Hood, targets Talia for
death, the three are once again forced into action. Their struggle to
defeat Roudette and end the threat to Talia once and for all takes
them to Arathea, Talia's desert homeland, where the queen who usurped
her throne still waits, planning revenge. For the Prince who awoke
Sleeping Beauty didn't do so with a kiss, and he was certainly no
Charming, and Talia's bloody revenge has had long-lasting
consequences.
In Arathea, the three princesses discover a grave threat to the land,
one involving both the infamous Wild Hunt and the capricious
fairykind. To survive, they'll have to trust in the Lady of the Red
Hood, even though her loyalties are decidedly in question. Talia's
home, but she may not live long enough to enjoy it. Not everyone gets
a happily ever after. . . .
Continuing to reimagine the heroines and storylines of beloved fairy
tales, Jim Hines turns his attentions towards Little Red Riding Hood,
reinventing her as a dark, tragic, driven anti-heroine out to exact
her own revenge upon those who once wronged her. Here, we see one
explanation for the wolf in Grandmother's bed, the significance of the
titular red cape, and learn that the huntsman of the story was no
hero. We also get a much more in-depth look at the land and
circumstances that shaped Talia, who deviates significantly from her
fairy tale origins. And the changes couldn't be more welcome. Some
might say it's pretty bold to turn Sleeping Beauty from the blond waif
of Disney fame into a lesbian warrior from a pseudo-Arabic culture,
but it just helps to reinforce the idea of these fairy tales as
universal stories, where the trappings may change but the core remains
the same. What matters is that Talia, like the others, is a strong,
capable, princess who isn't about to sit around waiting for her prince
to show up and rescue her.
Combining the best parts of fantasy and folklore, mixed with action
and adventure, tinged with horror (just like the original stories!),
Red Hood's Revenge is a thoroughly satisfying continuation of the
series, and a worthy updating of these cultural icons. They may not
sing and dance, but they can certainly kick some ass. Bring on the
Snow Queen.
[Michael Jones]


